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Groser Redoutensaal

Giovanni Battista Carlone

Geschichte des TheatersAnhangtechnische AngabenHistorische Ausstattung

Wichtige Ereignisse

(Detail)1630 | opening

(Detail)1651 | alteration
Altered by Giovanni Burnacini.
(Detail)1659 | alteration
Rebuilt by Lodovico Ottavio Burnacini.
(Detail)19.7.1699 | fire

(Detail)1705 | opening
Rebuilt as an opera house by Francesco Galli-Bibiena.
(Detail)40. s 18. Jahrhundert | construction
Built 1744-1748 by Antonio Galli-Bibiena to the design by Jean Nicolas Jadot de Ville-Issy. The former theatre was conerted into concert and ball halls, named "Großer Redoutensaal" and "Kleiner Redoutensaal".
(Detail)1748 | opening

(Detail)1760 | alteration
Rebuilt by Nikolaus Pacassi between 1759-1760.
(Detail)1772 | alteration
Rebuilt by Nikolaus Pacassi between 1769-1772.
(Detail)1788 | alteration
Installation of a gallery tier.
(Detail)1921 | alteration
Installation of a theatre ("Theater im Redoutensaal").
(Detail)1973 | alteration
Converted into a congress centre.
(Detail)26.11.1992 | fire

(Detail)90. s 20. Jahrhundert | alteration
Rebuilt to the original designs by Manfred Wehdorn between 1992-1997.

Menschen

Geschichte

Giovanni Batista Carione constructed this room, called Newe Saal oder Danz Plaz zu Hoff, along with a smaller hall in 1629-30. It was renovated several times (e.g. by Francesco Galli Bibiena in 1698) and after 1720 was called Grosses Hoftheater. The large hall (51.3 x 19m.) was used for opera performances until 1744. In 1747 Antonio Calli-Bibiena converted it into a ballroom (called the Redoutensaal). The large room (now called Grosser Redoutensaat) seats about 1500 (with a reverberation of 1.4 seconds). Until 1870 this was the largest concert hall in Vienna. The small room (now called Kleiner Redoutensaal) seats about 400.

 

In: Harer, Ingeborg (1995) "Musical Venues in Vienna, Seventeenth Century to the Present,"Performance Practice Review: Vol. 8: No. 1, Article 8.

 

 

Autor: Ingeborg Harer

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