Bedřich Feuerstein

Similarly as Josef Gočár or Kamil Roškot, he united different modern style point of view with classicistic feeling. He avoided deformation already in his Cubistic designs from 1912-14. He was led by his sense for concreteness to puristic experiments culminating in the construction of crematorium in Nymburk. He was rather follower of modern Perret´s Classicism than Le Cobursier experiments, which was demonstrated in his later Paris and Tokio works.

In: Archiweb