Margravial Opera House
Joseph Saint-Pierre
Markgräfliches Opernhaus | |
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Wilhelmine, the favourite sister of the Prussian king Frederick the Great, turned her residence, the city of Bayreuth, into a centre of the arts. Part of this strategy was a spectacular opera house, built 1746–1750. It became the most breath-taking theatre building north of the Alps. The facade follows French Classicism, inside it unfolds the splendour of Italian Baroque, designed by Giuseppe Galli Bibiena, the most important theatre architect of his time. It is a pleasure “reading” the decoration of the auditorium: up to the royal box one can discover how the presence of the Margrave couple was as important as the performance.
Also in and around Bayreuth: the theatre of ruins in the Hermitage (1744), the grotto theatre at Sanspareil (1747), Richard Wagner’s festival theatre (1876), and much more.
Markgräfliches Opernhaus ⋅ Opernstrasse 14 ⋅ 95444 Bayreuth ⋅ Tel.: +49 (0)921 7 59 69 22 ⋅ E-mail: sgvbayreuth(at)bsv(dot)bayern(dot)de ⋅ www.schloesser.bayern.de
Visits: 9:00 to 18:00 (April–Sep); 10:00 to 16:00 (Oct–March)
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The Royal Opera House at Bayreuth was built by the Bibienas in 1748 and has so far escaped damage. It is a perfect example of eighteenth-century rococo theatre architecture, and occasional concerts given there display its exquisite acoustics to perfection. By a stroke of extreme good fortune, one of the Bibienas' most perfect works survives absolutely intact, the Margrave's Opera House at Bayreuth. This was a family affair, begun by Giuseppe, probably working from a design by his uncle Francesco, and completed by his son Carlo. The stage is in fact very large—until the nineteenth century the largest in Germany—but the auditorium, which had to cater only for the court, is small in scale, constructed almost entirely of wood and relying as much on painted as on sculptural decoration. It is a work of irresistible charm. The showpiece of the whole theatre is the Margrave's box, which is covered by a canopy held by flying angels, its columns wreathed with gilded vines.
In: Tidworth, Simon : Theatres: An Illustrated History. London 1973 p. 83
Author: Simon Tidworth
Simon Tidworth:
religious structures, De Architectura, corrales, Olimpic Theatre, Ancient Theatre, Farnese Theatre, San Cassiano Theatre, Drury Lane Theatre Royal, Drottningholm Palace Theatre, Royal Opera House, Konzerthaus Berlin, Palais Garnier, Festspielhaus, Théâtre du Vieux-Colombier, Margravial Opera House, Cuvilliés Theater, Semper Opera House, Old Vic, Georgian Theatre Royal, Teatro alla Scala, La Fenice, Teatro Massimo Vittorio Emanuele, San Carlo Opera House, Tor di Nona, Royal Theatre, Verona Philharmonic Theatre, Municipal Theatre, Teatro El Buen Retiro, Malmö Municipal Theatre, People's Theatre, National Opera of Bordeaux, Musical Theatre of Besançon, Opernhaus auf der Cortina, Opera Theatre, Theatre Royal, Hôtel de Bourgogne, Salle des Machines, Cockpit in Court, The London Coliseum, Opernhaus in Salvatorplatz, Mannheim Court Theatre, Stuttgart State Opera, Opernhaus am TaschenbergAdditional information
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